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二維動(dòng)畫設(shè)計(jì)研究與應(yīng)用——浪漫手機(jī).doc

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二維動(dòng)畫設(shè)計(jì)研究與應(yīng)用——浪漫手機(jī),動(dòng)漫設(shè)計(jì)畢業(yè)論文目錄摘要iabstractii前言1第1章 綜述21.1 計(jì)算機(jī)動(dòng)畫的簡(jiǎn)介21.1.1 計(jì)算機(jī)動(dòng)畫的概念21.1.2 計(jì)算機(jī)動(dòng)畫分類21.1.3 計(jì)算機(jī)動(dòng)畫的應(yīng)用領(lǐng)域21.2 二維動(dòng)畫的技術(shù)特點(diǎn)31.2.1 逐幀動(dòng)畫31.2.2 補(bǔ)間動(dòng)畫31.2.3 逐幀動(dòng)畫和補(bǔ)間動(dòng)畫...
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二維動(dòng)畫設(shè)計(jì)研究與應(yīng)用——浪漫手機(jī)


動(dòng)漫設(shè)計(jì)畢業(yè)論文 

目錄
摘要 I
Abstract II
前言 1
第1章 綜述 2
1.1 計(jì)算機(jī)動(dòng)畫的簡(jiǎn)介 2
1.1.1 計(jì)算機(jī)動(dòng)畫的概念 2
1.1.2 計(jì)算機(jī)動(dòng)畫分類 2
1.1.3 計(jì)算機(jī)動(dòng)畫的應(yīng)用領(lǐng)域 2
1.2 二維動(dòng)畫的技術(shù)特點(diǎn) 3
1.2.1 逐幀動(dòng)畫 3
1.2.2 補(bǔ)間動(dòng)畫 3
1.2.3 逐幀動(dòng)畫和補(bǔ)間動(dòng)畫的比較 4
1.3 動(dòng)畫短片中的造型設(shè)計(jì) 4
1.3.1 角色設(shè)計(jì) 5
1.3.2 場(chǎng)景設(shè)計(jì) 5
1.3.3 道具設(shè)計(jì) 5
1.4 短片劇情 6
第2章 技術(shù)支持——flash 7
2.1 flash 概述 7
2.1.1 flash 簡(jiǎn)介 7
2.1.2 flash 的特點(diǎn) 7
2.1.3 flash 的應(yīng)用領(lǐng)域 7
第3章 Flash動(dòng)畫的制作過(guò)程 8
3.1 劇本創(chuàng)作 8
3.2 劇本分析 8
3.3 角色和背景造型設(shè)計(jì) 8
3.3.1 二維動(dòng)畫繪制 9
3.4 動(dòng)作拆分 14
3.5 動(dòng)畫制作 15
3.5.1 逐幀動(dòng)畫 15
3.5.2 補(bǔ)間動(dòng)畫 15
3.5.3 影片剪輯 16
3.5.4 遮罩 17
3.5.5 形狀補(bǔ)間 17
3.6 設(shè)計(jì)后期的完善 18
3.6.1 片頭制作 18
3.6.2 片尾制作 18
3.6.3 Play按鈕制作 19
3.7 制作難點(diǎn) 20
結(jié)論 21
總結(jié)與體會(huì) 22
謝辭 23
參考文獻(xiàn) 24
附錄一 英文原文 25
附錄二 翻譯譯文 30
 

二維動(dòng)畫設(shè)計(jì)研究與應(yīng)用
——浪漫手機(jī)

摘要
動(dòng)畫中的各種造型一般是根據(jù)劇本的要求進(jìn)行造型設(shè)計(jì)的。如果說(shuō),電影故事 片的各種角色是導(dǎo)演根據(jù)劇本中的人物形象盡可能地選擇最適合的演員來(lái)演繹的話,那么, 動(dòng)畫中的角色形象則是導(dǎo)演根據(jù)劇本中的要求而隨心所欲地設(shè)計(jì)出最符合劇本人物的角色的。動(dòng)畫角色是動(dòng)畫片的靈魂,觀眾對(duì)一個(gè)動(dòng)畫角色的價(jià)值判斷不單純停留在其外在的造型層面, 還包括對(duì)角色性格內(nèi)涵的認(rèn)同。 本文通過(guò)簡(jiǎn)單描述動(dòng)畫片的造型設(shè)計(jì)思路即注重通過(guò)細(xì)節(jié)來(lái)交代角色人物形象的設(shè)計(jì)。
這次設(shè)計(jì)的主要內(nèi)容是以Flash軟件作為平臺(tái),以男女人物間的浪漫愛(ài)情故事來(lái)渲染場(chǎng)景,在講故事的過(guò)程中也刻畫了手機(jī)。用一個(gè)浪漫的愛(ài)情故事來(lái)宣傳手機(jī),并體現(xiàn)了手機(jī)在我們現(xiàn)在生活中的作用。制作方法主要是通過(guò)補(bǔ)間畫和遮罩等方式來(lái)實(shí)現(xiàn)的。取得的成果主要是浪漫手機(jī)這個(gè)動(dòng)畫短片。制作學(xué)習(xí)的過(guò)程讓我對(duì)flash的專業(yè)知識(shí)更加全面的了解,對(duì)我自身素質(zhì)提高起到了很大的作用。

關(guān)鍵詞: 二維動(dòng)畫,角色設(shè)計(jì)
 

Research and application of two-dimensional animation design
——Romantic mobile phone
Abstract
Animation in a variety of shapes are generally based on design requirements of the script's. If we say that feature films the director of various roles in the characters according to the script as much as possible to select the most suitable actor to the interpretation, then, the role of the animation image is directed in accordance with the requirements of the script and freedom to design the most Consistent with the role play characters. Animated cartoon character is the soul of the audience judge the value of an animated character is not simply stay in the level of its external shape, but also the recognition of the role of character meaning. This paper describes a simple design ideas that animated detail to explain the role of attention through the design of characters.
     The design of the main content is Flash software as a platform to romantic love between men and women the story to render the scene, the story also depicts the process of a mobile phone. With a romantic love story to promote mobile phones and mobile phone reflects the role we now live. Production methods through the tween painting and mask, etc. to achieve. The main results obtained in this animated short film is a romantic mobile phone. Making the learning process for me to flash a more comprehensive understanding of professional knowledge, improve the quality of my own played a significant role.

Key words:  two-dimensional animation, character design