目錄
中文摘要
英文摘要
引言·················································································……1
第一章精神分析的話語(yǔ)空間······················································……4
第一節(jié)精神分析的批評(píng)空間················································……4
第二節(jié)新時(shí)期文學(xué)的心理之維·············································……14
第二章愛(ài)與性的多重?cái)⑹觥ぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁ?3
第一節(jié)“戀母”情結(jié)的文學(xué)演繹··········································……23
第二節(jié)“戀母”情結(jié)的影像化·············································……35
第三節(jié)生命交響樂(lè)的變奏···················································……39
第三章走進(jìn)歷史和心靈深處······················································……44
第一節(jié)文學(xué)與神話····························································……44
第二節(jié)尋根文學(xué)的實(shí)驗(yàn)······················································……46
第三節(jié)《白鹿原》的神話敘述·············································……51
第四章卑微者的精神之歌·························································……55
第一節(jié)自卑情結(jié)與生命意識(shí)················································……55
第二節(jié)靈魂的碎片·························································……57
結(jié)論·················································································……63
注釋·················································································……69
參考文獻(xiàn)·················································································……72
后記·················································································……73
了
新時(shí)期文學(xué)的精神分析學(xué)研究
【內(nèi)容摘要】
沒(méi)有哪個(gè)時(shí)代像今天這樣，人們相信自己的眼睛勝過(guò)于自己的心靈，他們?cè)?br>紛繁復(fù)雜的生活現(xiàn)象中忽略了自己心靈的去處，從而產(chǎn)生了一股莫名的心靈的焦
慮，并努力想把這種心靈的焦慮訴諸于創(chuàng)作。而精神分析學(xué)作為一種心理批評(píng)方
法，正是從人的心靈深處出發(fā)，努力挖掘存在于人的無(wú)意識(shí)深處的心靈的焦慮，
思想的生命，把它們從沉睡中喚醒，也許把它們創(chuàng)造出來(lái)，達(dá)到一種心靈之間的
最美精神對(duì)話，夢(mèng)想一種心儀并發(fā)之外的邂逅。這也是本文試圖運(yùn)用精神分析學(xué)
的方法，所企求達(dá)到的一個(gè)目的。根據(jù)精神分析學(xué)派的發(fā)展脈落及其批評(píng)特征，
本文大致從兩個(gè)方面進(jìn)行著手分析:一，根據(jù)弗洛伊德、榮格的心理分析，重在
解釋作品的內(nèi)在意義。如對(duì)張賢亮、王蒙、王安憶、劉恒、陳忠實(shí)等人的作品進(jìn)
行個(gè)案分析，試圖從戀母情結(jié)、生命悲劇意識(shí)、性意識(shí)等人類精神領(lǐng)域的命題入
手，尋找作品的意義，更尋找人類生存的意義。二，根據(jù)阿德勒的“自卑”言論，
探索史鐵生作品中的殘疾主題、自卑情結(jié)，從中揭示了除了生存以外的生命意識(shí):
生命價(jià)值的平等和人格價(jià)值的平等。并力圖抽拔出史鐵生對(duì)待生命的態(tài)度，也正
是現(xiàn)代人在生存困境中的生存態(tài)度，而這正是我們每個(gè)人所必須面對(duì)的現(xiàn)實(shí)。
除此之外，有感于新時(shí)期文學(xué)的多元性和復(fù)雜性，本文還嘗試將筆觸深入到
更廣闊的精神領(lǐng)域里，既希望從感性上有力的把握新時(shí)期作家的創(chuàng)作，又能對(duì)當(dāng)
代人的精神處境進(jìn)行一定的關(guān)照。精神分析學(xué)不是萬(wàn)能的鑰匙，但它那“冰山”
一角的亮光已然開(kāi)啟了人類廣裹無(wú)限的集體無(wú)意識(shí)大門，一如當(dāng)年弗洛伊德力圖
從無(wú)意識(shí)角度去解釋作家進(jìn)行文學(xué)藝術(shù)創(chuàng)造的終極根源和最終推動(dòng)力，這種努力
和勇氣對(duì)于今天的后輩學(xué)者同樣具有一定的開(kāi)拓意義和啟迪價(jià)值。
【關(guān)鍵詞】精神分析學(xué) 新時(shí)期文學(xué) 戀母 原型