黑人之音—美國黑人的布魯斯與說唱.doc
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黑人之音—美國黑人的布魯斯與說唱,the voices of the blacks—blues and rapcontentsabstractikey wordsi摘要ii關鍵詞iiintroduction1i. blues as the voice of the blacks2a. the original blues...
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黑人之音—美國黑人的布魯斯與說唱
The Voices of the Blacks
—Blues and Rap
Contents
Abstract I
Key Words I
摘 要 II
關鍵詞 II
Introduction 1
I. Blues as the Voice of the Blacks 2
A. The Original Blues 2
B. Blues in the 20th Century and its Social Function 3
1. Blues in the1920s 3
2. Blues in the 1940s--1960s 3
3. Blues in the 1980s 5
II.Rap as the Voice of the Blacks….............................................................................7
A. Rap in the 20th Century and its Social Function.…………………....…………...7
1. The Birth of Rap………………………………………………………………..7
2. Rap in the 1970s-1990s………………………………………………………...7
B. Rap in the 21st Century……………………….……………………………...….10
Conclusion....................................................................................................................12
Ackonwledgements......................................................................................................14
Notes……..........................................................................................................……15
Bibliography………………………………………………………………………….16
Abstract
Along with the policy of reform and opening to the outside world, people in China have gradually accepted foreign music, among which Blues and Rap from Afro-Americans are the most popular. At the very beginning, the Whites don’t accept them and believe that they don’t belong to music, let alone art. As time flies, Blues and Rap spread rapidly in the U.S.A and then sweep the whole world. However, though the Black music has generally been accepted and beloved in the society, racism is still haunting the United States, the Blacks have not been treated fairly and equally as the Whites, and the social lives of the Blacks would not be improved substantially. Base on the analysis of the root and development of Blues and Rap and their social functions as voices of the Blacks, the paper tries to demonstrate the social conditions of the Blacks in America.
Key Words
Blues; Rap; the blacks; discrimination; voices
摘 要
隨著改革開放，在中國人們已經(jīng)逐漸接受了外國音樂, 其中起源于美國黑人的布魯斯和說唱是最為流行的音樂形式。很久以前，白人排斥它們并且不認為這屬于音樂，更談不上是藝術。但隨著時間的流逝，布魯斯和說唱已經(jīng)流傳于整個美國甚至全世界。然而盡管黑人音樂已經(jīng)得到人們的認可和接受，但種族主義的幽靈仍然在美國游蕩，美國黑人仍未能享受到同白人一樣的公平待遇，其社會地位并沒有得到真正意義上的提高。本文試圖在分析布魯斯和說唱的起源和發(fā)展以及其在各階段所展現(xiàn)的作為黑人之聲的社會功能的基礎上，探討美國黑人的社會生活狀況。
關鍵詞
布魯斯；說唱；黑人；歧視；心聲
Bibliography
[1] Broakal, Milada. More About The USA. 山東：山東科技出版社，2003.
[2] Campbell, Richard. Media & Culture. Boston: Bedford/St.Martins’s Press, 2003.
[3] Nash, Gary B. The American People. NewYork: Addison-wesley Education Publisher.inc, 1998.
[4] 端木義萬．美國社會文化透視[M]．南京：南京大學出版社，1999．
[5] 馮澤輝．美國文化綜述[M]．成都：四川人民出版社，2002．
[6] 姬虹．辛辛那提種族暴亂的背．2001-4-26
[7] 姜江. 黑人音樂與美國非裔族群的自我表達[J] ． 武漢理工大學學報：社會科學版,2006,(3) ．
[8] 金兆均. 黑皮膚的感覺美國黑人文化[J] ．人民音樂報, 2002, (5) ．
[9] 酒吧的靈魂音樂．2006-11-17
字數(shù)：28173
The Voices of the Blacks
—Blues and Rap
Contents
Abstract I
Key Words I
摘 要 II
關鍵詞 II
Introduction 1
I. Blues as the Voice of the Blacks 2
A. The Original Blues 2
B. Blues in the 20th Century and its Social Function 3
1. Blues in the1920s 3
2. Blues in the 1940s--1960s 3
3. Blues in the 1980s 5
II.Rap as the Voice of the Blacks….............................................................................7
A. Rap in the 20th Century and its Social Function.…………………....…………...7
1. The Birth of Rap………………………………………………………………..7
2. Rap in the 1970s-1990s………………………………………………………...7
B. Rap in the 21st Century……………………….……………………………...….10
Conclusion....................................................................................................................12
Ackonwledgements......................................................................................................14
Notes……..........................................................................................................……15
Bibliography………………………………………………………………………….16
Abstract
Along with the policy of reform and opening to the outside world, people in China have gradually accepted foreign music, among which Blues and Rap from Afro-Americans are the most popular. At the very beginning, the Whites don’t accept them and believe that they don’t belong to music, let alone art. As time flies, Blues and Rap spread rapidly in the U.S.A and then sweep the whole world. However, though the Black music has generally been accepted and beloved in the society, racism is still haunting the United States, the Blacks have not been treated fairly and equally as the Whites, and the social lives of the Blacks would not be improved substantially. Base on the analysis of the root and development of Blues and Rap and their social functions as voices of the Blacks, the paper tries to demonstrate the social conditions of the Blacks in America.
Key Words
Blues; Rap; the blacks; discrimination; voices
摘 要
隨著改革開放，在中國人們已經(jīng)逐漸接受了外國音樂, 其中起源于美國黑人的布魯斯和說唱是最為流行的音樂形式。很久以前，白人排斥它們并且不認為這屬于音樂，更談不上是藝術。但隨著時間的流逝，布魯斯和說唱已經(jīng)流傳于整個美國甚至全世界。然而盡管黑人音樂已經(jīng)得到人們的認可和接受，但種族主義的幽靈仍然在美國游蕩，美國黑人仍未能享受到同白人一樣的公平待遇，其社會地位并沒有得到真正意義上的提高。本文試圖在分析布魯斯和說唱的起源和發(fā)展以及其在各階段所展現(xiàn)的作為黑人之聲的社會功能的基礎上，探討美國黑人的社會生活狀況。
關鍵詞
布魯斯；說唱；黑人；歧視；心聲
Bibliography
[1] Broakal, Milada. More About The USA. 山東：山東科技出版社，2003.
[2] Campbell, Richard. Media & Culture. Boston: Bedford/St.Martins’s Press, 2003.
[3] Nash, Gary B. The American People. NewYork: Addison-wesley Education Publisher.inc, 1998.
[4] 端木義萬．美國社會文化透視[M]．南京：南京大學出版社，1999．
[5] 馮澤輝．美國文化綜述[M]．成都：四川人民出版社，2002．
[6] 姬虹．辛辛那提種族暴亂的背．2001-4-26
[7] 姜江. 黑人音樂與美國非裔族群的自我表達[J] ． 武漢理工大學學報：社會科學版,2006,(3) ．
[8] 金兆均. 黑皮膚的感覺美國黑人文化[J] ．人民音樂報, 2002, (5) ．
[9] 酒吧的靈魂音樂．2006-11-17
字數(shù)：28173
