論《白象似的群山》中海明威獨(dú)特的寫作風(fēng)格

Hemingway’s Unique Writing Style in Hills like White Elephants

Contents

Abstract………………………………………………………………………………Ⅰ
Key Words……………………………………………………………………………Ⅰ
摘要…………………………………………………………………………………...Ⅱ
關(guān)鍵詞…………………………………………………………………………………………….Ⅱ
Introduction……………………………………………………………………………1
Ⅰ. A Brief Introduction to the Author and the Novel………………………………....2
Ⅱ. Hemingway’s Development to a New Writing Style………………………….…..4
A. The Writing Style of Modern European Literature during the 19th Century......4
B. The Formation of Hemingway’s Unique Writing Style…………………….…..5
C. The Influence of Hemingway’s Writing Style……………………………….....6
Ⅲ. Discussion on the Unique Writing Style in Hills Like White Elephants…………..6
A. Real-life Dialogue……………………………………………………………..6
B. Concise Language……………………………………………………………..9
C. Perfect Symbolism…………………………………………………………...10
D. Characteristic Ending………………………………………………………...12
E. Deliberate Hiding---Iceberg Theory ………………...………………….14
Conclusion……………………………………………………………………………16
Acknowledgements…………………………………………………………………..17
Bibliography………………………………………………………………………….18
Abstract

Being distinguished from many great American writers, Hemingway is famous for his unique writing style. He changes the traditional literary works from tedious style into a kind of concise “telegraph style”. As a matter of fact, his short story--- Hills like White Elephants fully reflects his unique and classic writing style. The story seems simple, but actually artful. Hemingway captures the essence of the plain dialogue of usual life, so a reader may be under an illusion that he was present at the site of the story. And he adds sentiment into concise language. In Hills like White Elephants, the perfect symbolism about “white elephant” and the characteristic ending constructed by Hemingway further gives prominence to his ability......

Bibliography

[1] David Lodge. Analysis and Interpretation of the Realist Text: Ernest Hemingway’s “Cat in the Rain”[C]. Zhang Zhongzai, Wang Fengzhen, Zhao Guoxin. Selective Readings in 20th Century Western Critical Theory. Beijing: Foreign Language Teaching and Research Press, 2002.
[2] Honore de Balzac. Old Goriot[M]. Beijing: 中國(guó)對(duì)外翻譯出版公司，2005.
[3] Jacqueline Kopp. Symbols of Darkness and Light in Hills Like White Elephants [D]. Richmond: J. Sargeant Reynolds Community College, 2004.
[4] Liu Ying. Hemingway’s use of Language in Hills Like White Elephants [J]. Journal of Urumqi Vocational and Technical University, 2005(4).
[5] Li Yixie and Chang Yaoxin. Selected Readings in American Literature[C]. Henry James. The Ambassadors. Tianjin: 南開(kāi)大學(xué)出版社，1991.
[6] Long Maozhong Yan Jinglan and Wang Hui. The Quintessence of English and American Literature---A Reader’s Guide [C]. Ernest Hemingway. Hills Like White Elephants. Shanghai: 華東理工大學(xué)出版社，2004.

字?jǐn)?shù)：37300