李清照詞南渡前后比較研究

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目錄
引  言 2
一、景物擇取的差異 3
(一) 南渡前：“花”、“閨樓”、“月” 4
(二) 南渡后：“雁”、“雨”、“夢” 7
二、意象內(nèi)涵的轉(zhuǎn)折 9
(一) “花”：俏麗嬌媚——慘淡凋零 10
(二) “酒”：閑情逸致——悲苦哀愁 11
三、語言功能的變化 12
(一) 措辭：字眼選擇由喜到悲 13
(二) 基調(diào)：由清新到沉郁 15
(三) 人物定位：由“有情有趣者”到“無心無力者” 15
結(jié)  論 16
參考文獻 18

 
摘要：李清照，宋代著名女詞人，有“千古第一才女”之稱。其詞在南渡前后風格迥異。南渡前，多寫閨中情趣，少女情懷，詞風活潑明快，清新自然；南渡后，著墨家國之痛，身世之幽，詞風趨于消極，哀愁苦痛。從意象、情感、語言等方面皆有跡可循。正是這樣的轉(zhuǎn)折與變化使得李清照的詞作構(gòu)成了一部描繪人生變化、展現(xiàn)心靈路徑的偉著。

關(guān)鍵詞：意象  情感  語言  
 
 
Before and after study on Li Qingzhao’s Ci

Abstract: Li Qingzhao, the famous Song Dynasty poetess, is known as "the first talented woman", Her Ci is widely different after her south moving. Before, she focuses on the interesting stuffs and muddled feelings, The Ci is lively; After, she pays attention to the pain of losing home, The Ci becomes negative and down, which can be found from the image, emotion and language. It is the turning point that makes Li Qingzhao's Ci shows the changes of her life and spirit.

Keywords: image emotion language