水墨的影視藝術(shù)語(yǔ)言的研究是計(jì)算機(jī)科學(xué)與技術(shù)專(zhuān)業(yè)論文中的優(yōu)秀論文，整篇文檔設(shè)計(jì)精致，撰寫(xiě)規(guī)范，內(nèi)容厚實(shí)。


摘要：中國(guó)動(dòng)畫(huà)在20世紀(jì)六、七十年代曾一度輝煌，形成了自己的一些優(yōu)秀傳統(tǒng)也積累出了一定的民族特色。尤其是水墨動(dòng)畫(huà)更是成為中國(guó)動(dòng)畫(huà)進(jìn)軍世界動(dòng)畫(huà)界主力軍，為世界動(dòng)畫(huà)做出重大探索性的貢獻(xiàn)，水墨動(dòng)畫(huà)作品在國(guó)際動(dòng)畫(huà)大賽中頻獲大獎(jiǎng)，充分體現(xiàn)出水墨動(dòng)畫(huà)在世界動(dòng)畫(huà)界的地位是不可替代的。但是在如今動(dòng)畫(huà)界普遍關(guān)注商業(yè)動(dòng)畫(huà)的形勢(shì)下，我國(guó)的水墨動(dòng)畫(huà)片，無(wú)論是影院動(dòng)畫(huà)還是電視畫(huà)都無(wú)法跟上我國(guó)動(dòng)畫(huà)需求的步伐，更不用說(shuō)在海外市場(chǎng)上競(jìng)爭(zhēng)了。
近年來(lái)，越來(lái)越多的動(dòng)畫(huà)人投身于使中國(guó)動(dòng)畫(huà)商業(yè)化，而如何使最具中國(guó)民族
特色的水墨動(dòng)畫(huà)走向現(xiàn)代是當(dāng)代動(dòng)畫(huà)人無(wú)人問(wèn)津的課題。使得中國(guó)動(dòng)畫(huà)丟掉了自己的中國(guó)精神。而中國(guó)精神在動(dòng)畫(huà)界最好的傳達(dá)方式就是水墨動(dòng)畫(huà)。
中國(guó)水墨動(dòng)畫(huà)片，單從作品形態(tài)上分析，最大的缺陷是缺少影視藝術(shù)語(yǔ)言。水墨動(dòng)畫(huà)中影視藝術(shù)語(yǔ)言的運(yùn)用，不僅影響著水墨動(dòng)畫(huà)的吸引力和可觀賞性，而且在很大程度上決定著一部水墨動(dòng)畫(huà)片的藝術(shù)質(zhì)量，決定著水墨動(dòng)畫(huà)創(chuàng)作藝術(shù)上的成敗。因此，水墨動(dòng)畫(huà)影片必須重視影視藝術(shù)語(yǔ)言，將電影思維融入水墨動(dòng)畫(huà)影片的創(chuàng)作中。

關(guān)鍵詞: 水墨動(dòng)畫(huà) 影視藝術(shù)語(yǔ)言 電影思維 鏡頭感 水墨精神

研究類(lèi)型: 理論研究

Abstract: in the 20th century Chinese animation of the 1960s and 70s, once magnificent formed their own some excellent traditional also accumulate out certain ethnic characteristics. Especially ink animation is becoming China's animation march world animation world, for the world animation main make a significant contribution, wash cartoon of exploratory works in international animation competition intermediate frequency won great prizes, which fully reflects the wash cartoon animation world status in the world is irreplaceable. But now in animation sector generally concerned under the situation of commercial animation, our ink cartoons, whether cinemas animation or TV pictures couldn't keep up with the pace of the animation demand in China, not to mention in the overseas market competition.
In recent years, more and more DongHuaRen devoted to make Chinese cartoon commercialized, and how to make the most Chinese nation
Characteristics of contemporary ink animation into a modern DongHuaRen little-noticed subject. Makes Chinese animation lost their Chinese spirit. But Chinese spirit in the animation world the best way is to wash cartoon to convey.
Chinese ink cartoons, single from the work of ideological analysis, the biggest video art language is the lack of defects. Ink painting animation film art language, not only affects the appealing and wash cartoon nice, and largely determines the artistic quality ink animation film, determines the ink on the success or failure of the art of animation. Therefore, the ink film and television animation art language, must attach importance to film thinking into the creation of animation films in ink.

Keywords: wash cartoon  movie and TV arts language  movie thinking  lens flu ink  painting spirit

Research types: theory research

目 錄
一、水墨動(dòng)畫(huà)的形式語(yǔ)言特征 1
（一） 水墨動(dòng)畫(huà)的抽象性 1
（二）水墨動(dòng)畫(huà)的意象性 2
（三）水墨動(dòng)畫(huà)的可塑性 3
二、水墨動(dòng)畫(huà)中的影視美學(xué)特性 3
（一）綜合性 3
（二）技術(shù)性 6
三、水墨動(dòng)畫(huà)片中的電影思維方式 7
（一）時(shí)空綜合的情節(jié)思維 8
（二）水墨動(dòng)畫(huà)的鏡頭感 9
結(jié)語(yǔ) 10
參考文獻(xiàn)： 11
致 謝 12