貝多芬《鋼琴奏鳴曲》主題的和聲布局特征



摘要：貝多芬在他的鋼琴奏鳴曲中經(jīng)常使用和弦外音和持續(xù)音，以加強(qiáng)音樂(lè)的不穩(wěn)定性；也使用主持續(xù)音，以加強(qiáng)音樂(lè)的穩(wěn)定性。這些穩(wěn)定與不穩(wěn)定的結(jié)合豐富了和聲色彩，使得聲部更為流暢而有特色，也正體現(xiàn)貝多芬音樂(lè)作品從斗爭(zhēng)到快樂(lè)的思想。本文首先分析了貝多芬《32首鋼琴奏鳴曲》的創(chuàng)作背景，闡釋了貝多芬《32首鋼琴奏鳴曲》主題的結(jié)構(gòu)，解讀了貝多芬《32首鋼琴奏鳴曲》主題的和聲的布局。



關(guān)鍵詞：貝多芬；鋼琴奏鳴曲；和聲



Beethoven's piano sonata the theme of harmonic layout characteristics

Abstract: Beethoven's piano sonata in his often use the sound and sustainable sound chords, in order to strengthen the instability of music, also use the Lord continued sound, in order to strengthen the stability of music. These stability and instability of the combined with enriched harmonic color makes voice more smooth and distinctive, also reflected Beethoven's music works from struggle to the happiness of thought.

Key words: Beethoven, Piano sonata, harmonic