論印象派繪畫中的審美意象

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摘要：印象派繪畫是西方跨時(shí)代的藝術(shù)流派，在色彩、造型、意境方面具有獨(dú)特的審美內(nèi)涵。通過解讀印象派大師的繪畫作品，可以透視其審美意象的特征與內(nèi)涵，進(jìn)而尋求意象和印象兩者的交匯點(diǎn)和融合處；將印象派繪畫和中國水墨畫進(jìn)行審美比較，把對(duì)審美意象的剖析融入繪畫作品的創(chuàng)作實(shí)踐，這對(duì)于深入理解印象派繪畫的審美內(nèi)涵具有一定的現(xiàn)實(shí)意義。

關(guān)鍵詞：印象派繪畫 審美意象 莫奈 凡高 中國畫

The Aesthetic Imagery of Impressionist Paintings
Abstract: Impressionist paintings are very important art schools across the western era, has a unique aesthetic connotation in color, shape, mood aspects. By interpreting the Impressionist masters paintings, characteristics and connotations can be perspective in their aesthetic imagery, and then seek both imagery and impressions at the intersection and integration; then compare Impressionist painting with Chinese ink painting aesthetic, analysis of the integration of aesthetic images in paintings creative practice work, which has some practical significance for understanding the impressionist painting aesthetic connotation.

Key words : Impressionist painting Aesthetic imagery  Claude Monet
 Van Gogh Chinese painting

目 錄
引 言……………………………………………………………………1
一、印象派畫家及作品中蘊(yùn)含的審美意象…………………………....3 （一）莫奈《睡蓮》系列畫的審美意象………………………….............3
（二）凡高系列作品中的審美意象...................................4
1.向日葵系列與靜物系列......................................5
2.自畫像系列與勞動(dòng)人民系列..................................6
3.星空系列與麥田系列........................................6
二、印象派繪畫作品中審美意象的特征.............................7
（一）色彩的意象化...............................................7
（二）造型的虛構(gòu)化...............................................8
（三）意境的形象化...............................................9
三、印象派繪畫與中國水墨畫的審美比較..........................10
（一）寫意的表現(xiàn)手法.. ........................................10
（二）簡(jiǎn)約的平面化造型..........................................11
（三）深邃空靈的畫面意境.......................................11
（四）勾線留白的筆法運(yùn)用.......................................12
結(jié) 論…………………………………………………………………..13
參考文獻(xiàn)………………………………………………………………..14