淺析吳憲生水墨人物畫藝術(shù)





這篇是國畫專業(yè)的本科畢業(yè)論文，全文5900多字。



摘要

吳憲生先生長期從事于中國人物畫造型基礎(chǔ)教學(xué)，擅長人物與人體素描，專注中國水墨人物畫的教學(xué)與創(chuàng)作研究，繼承和發(fā)揚(yáng)浙派人物畫的優(yōu)秀傳統(tǒng)，并在此基礎(chǔ)上拓展和創(chuàng)新。吳憲生先生把素描的嚴(yán)謹(jǐn)造型與中國畫的筆墨表現(xiàn)有機(jī)地融合在一起，數(shù)十年如一日地堅持這樣一條崎嶇而艱難的學(xué)術(shù)道路，為達(dá)到“度物取真，寫形傳神”的至高境界而不懈地實踐，他認(rèn)為“人物畫立意第一、造型第二、筆墨第三。立意淺不能動人、造型弱不能服人、筆墨差不能悅?cè)??！彼⒁?、造型、筆墨為一體，形成了頗有特色的“吳憲生風(fēng)格”。吳憲生先生精于人物肖像畫創(chuàng)作，所作人物造型嚴(yán)謹(jǐn)扎實，個性特征鮮明，尤其善于通過深入而細(xì)膩的面部刻畫，去透視人物的內(nèi)心世界和現(xiàn)實命運。筆墨表現(xiàn)厚重凝練，用筆沉穩(wěn)有力，作品的風(fēng)格集豪邁灑脫與沉郁內(nèi)斂為一體，既有強(qiáng)烈的主觀表現(xiàn)意味，又具有深刻的思想內(nèi)涵。

關(guān)鍵詞：吳憲生；水墨；人物


 




According to the WuXianSheng ink painting art

Abstract

Mr. WuXianSheng engaged in teaching Chinese figure painting modelling foundation, in character and human body sketch, focus on Chinese ink painting of teaching and research, to inherit and carry forward the fine tradition of zhejiang sent figure painting, and on this basis expansion and innovation. Mr. WuXianSheng sketch rigorous modelling and the Chinese painting pen and ink show organically fuses in together, dozens of years like one day to adhere to such a rugged and difficult academic road, in order to reach the thing really, the writing of take shape lifelikeness “e supreme state of the unremitting ground practice, he thinks" figure drawing the first, second, conception modelling third. Conception is shallow and not moving, the modelling weak can't justify, ink difference can not pleasing.”He set the heart of modelling, ink as one, formed quite distinctive “Wuxiansheng”.

Key words:Wuxiansheng；Ink painting；characters